La ville des pirates (1984)

Discussion in 'Archive' started by llanes13, Jul 18, 2009.

  1. llanes13

    llanes13 Guest



    Rating: 7.3/10 44 votes
    Runtime: 111 min
    Language: French
    Country: France | Portugal
    Color: Color

    Description: Raúl Ruiz’s City of Pirates is (de)composed under the sign of Surrealism, with its trust in ecstasy, scandal, the call of the wild, mystification, prophetic dreams, humour, the uncanny. Given the surprising swerves and disorientations evoking Buñuel and Dalí, and the confidence in a poetic discourse recalling Eluard and Péret, one wonders if Ruiz didn’t elaborate his scenario using the Surrealist mode of automatic writing. Troubled, graceful Isidore – Ducasse and Duncan? – is a purely Surrealist heroine, part Ophelia, Salomé, Bérénice, prone to trances, somnambulism, hysterical seizure, contact with the ‘other side’. Her calm violence links her to the real life murderesses – Germaine Berton, the Papin sisters – exalted by Breton’s circle, and by Jacques Lacan. Indeed, Lacan’s notion of a psychoanalysis in which the analyst stays off his patient’s wavelength, inspired by the idea of ‘surrealist dialogue’ in which paired monologues at cross purposes strike sparks of meaning off each other, underpins the scatty trajectory of Ruiz’s own graphomania, snared this time as the tale of a Pirate’s City.

    Rar Password: lovermanUK
    English, Portugal and Russian subs enclosed.
  2. Hieronimo

    Hieronimo Guest

  3. Thanks a lot...


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